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In some ways, the English language behaves like a living organism.  It seems to have a life of its own.  It’s in constant change triggered by new discoveries, trends, fashions, inventions and what have you.  As older generations hand over the baton to younger generations, the language renews itself.  Old becomes new, then old, and new again in a never-ending cycle.

For example, if somebody asked you to go to a department store and buy a grip or a hand grip.  I’ll bet you would be perplexed.  What is a grip?  Well, back in the good old days, that’s what they called a suitcase, for crying out loud.

Another example would be hiding an iPhone under a davenport.  What in the heck is that?  Well, during the forties a davenport was a couch or large sofa.   The word peaked in 1930 and early 1940 and dropped off very sharply after that.

A sheeny or sheenie was a derogatory word used to identify a Jew.  It was a contemptuous term for a Jewish person.  Its roots date back to 1810-1820.  The slur peaked shortly before the end of World War II and now is seldom used.

As a language evolves, words, phrases, and even whole tenses fall in and out of fashion. And then, every once in a while, a whole new way of expressing a particular thought will emerge seemingly out of nowhere and eventually win the day. That’s what happened over the course of the 19th century with the “progressive passive,” which took on a construction known as the “passival” and muscled it completely out of the English language.

By progressive passage construction in English, you mean an action that continues in time.  It suggests an ongoingness; something in progress.  For example:  The house is being built.  It is not finished yet, it’s being built.  We understand that, and it is the proper way to say that an action is still in progress.  But in “Old English” it was not the civilized way to write.  The pure English grammar was the passival which a little bit confusing.  Charles Dickens would write it this way:  The street lamps were lighting.  Another correct use of the passival  construction is: The house is building, The house in on building, or The house is o’building. 

Enormous discussions took place between those who defended the passival against the emerging progressive passive English grammar.  With the passing of time the passival followed the way of the Dodo.

I learned these English lessons by listening to a podcast produced by Lexicon Valley property of  Slate Magazine, which was recently sent to me  by a dear friend.  The title of the podcast is “When Being Done Replaced Doing.”   The link provides twelve interesting English lessons which are a fun and exciting way to learn English, which is a tough cookie, as many of you well know.  I’ve been trying to break the code for most of my life, but still consider that there’s a lot of wood to chop.  Best of luck with your English lessons.  Good Day.

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During the last two years that I’ve been using my Birthday camera, I’ve viewed thousands of photographs trying to understand the trade.  I’ve also read numerous  biographies of famous photographers and what drove them to take pictures.  I also bought a start-up book to learn the essential basics of photography, “Langford’s Starting Photography:  The guide to creating great images, 6th Edition by Michael Langford & Philip Andrews”, at least the basic buttons to shoot a snapshot.

It’s not easy, basically because photography is more art than skill.  Capturing the hidden message of a subject is the secret of photography and it requires meditation, thought, and vision—driven by passion.

Meditation and thought, by chance, placed me in contact with a blogger-photographer that I have chosen to be my reference, though he doesn’t know it.  I purchased one of his books through Kindle to understand the theory behind the skill of taking breath-taking photographs.  The name of the book is “Within the Frame:  The Journey of Photographic Vision”, and the name of the author-photographer is David duChemin. The Kindle’s version price tag of David’s book is $19.59.

David duChemin, a photographer, author, blogger, and philosopher. Credit: David duChemin

Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images.

Author David duChemin shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience.

David duChemin is a Vancouver-based international assignment photographer specializing in Humanitarian and world photography. A nomad, visionmonger, unashamed do-gooder, and sometimes author, David’s photography is online at Pixelatedimage.com.

David explains his vision of the world—Weltanschauung—with these word of deep meanings which triggers meditation and a lot of questions about your inner self:

“Life is too short. A vapour. The end, regardless of your beliefs about what happens afterward, comes barreling down the road directly at us. You have to eat, you have to make good decisions, but unless you do what you do with all the passion in your heart, it’s not worth it.

This might sound desperately foolishly, naive and irresponsible, but if you’re a wedding shooter and you long to be in Africa shooting, then get to Africa and shoot.

If you’re so tired of headshots that the idea of one more forced smile or brooding, tortured artist look makes you curl into a ball, then stop. Stop it now. Find and follow your passion. Find a way to make it work.

I have the luxury of believing, hard as it is at times, that God is in charge of this whole looney thing and if He calls me to something, gives me the gifts to do it, and I do absolutely everything I can to make it happen, then He darn well better do the rest. And if I fail, or if God fails to do His bit, and I go down in flames, then I’ll have had a good run and done the one thing I’ve endeavored to do since I was an idealistic teenager reading Henry David Thoreau avoided leading a life of quiet desperation. Though knowing me it would have been a life of noisy desperation with lots of talking.”

Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures, and he helps you cultivate and find your own vision, and then fit it within the frame.

David is also a dedicated blogger.  Though his blog he narrates what he does in the field of photography and why he does it.  I find it remarkable that he takes all this time to explain the theory behind pressing a shutter or adjusting the lens of a DSLR camera.  He writes, “Remember, gear is good, but vision is better. The best photography tools at your disposal are patience, curiosity, and the growing ability to see the world in new ways.”

Through his blog you can buy photography books at $5.00 each (Improve your craft without buying gear).  In addition his Web site also includes several podcasts about the good, the bad, and the ugly of a photograph.  I had never seen a photographer doing this critical review of a photograph before.  It’s like unveiling a photograph and presenting it nude to the eyes of the viewers.  The name of David’s blog is PixelatedImage: Blog/Gear is Good.Vision is Better. I know it’s a long title, but it’s worth every pixel.

As you know, I take pictures with an inexpensive P&S camera.  That doesn’t really matter.  What really matters is the search of the vision, and this is what I’m working on.  Please bear with me, my amateurish snapshots, they’re far from being real compelling photographs, but I’m working on it.  It’s one of my main New Year’s Resolutions.  Good Day.

Source:  Within The Frame:  The Journey of Photographic Vision by David duChemin

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