Feeds:
Posts
Comments

Posts Tagged ‘Cameras’


George Eastman (1854-1932) Credit: Wikipedia Encyclopedia

At the turn of the 20th century, photography was in the hands of a few elitists who were skilled in the use of glass plates and chemicals.  The photographic equipment was large and heavy, and you had to carry a large inventory of all sorts of chemicals with you to capture your image.  It was a cumbersome and complex work, albeit the results were stunning.  Ansel Adams’ work was out of this world and he was a wizard using this highly complex technology.

One man decided to revolutionize the industry and place a camera in the hands of the mainstream user. His name was George Eastman.  He changed the way ordinary people would see the world and capture precious moments with a camera, so simple anyone could use it.  In the process, he invented the gelatine dry plates, a light weight paper film, the roll holder that attached to the back of the camera and roll the film to the next frame and Kodak.  He also invented a type of transparent plastic called celluloid in 1889 which the motion picture industry took by storm.  Kodak became so well-known, it became synonymous with photography, the same way Google is now in searching for information on the Web.

An ad for Kodak during those early days of photography said, “Photography is the healthful hobby.  It takes you out of door, yet causes no trouble or fatigue.”  “You press the button.  We do the rest.”  You could use a Kodak camera in your backyard, picnics, ballgames, take pictures of babies playing in the mud without having anything to do with chemicals.  The people went crazy and swarmed the stores to buy one of these small picture boxes.

During Christmas time, George Eastman placed the following ad in a Rochester newspaper; “A Kodak camera fulfills all the requirements of the ideal Christmas gift.  It is distinctive, it is useful, it is certain to please; it has a sustained interest for the recipient.  Kodak for Christmas.” 

The first Kodak camera had a price tag of $25.00—loaded— which was pretty expensive in those days.  The size of the camera was 3 1/4 x 3 1/4 x 6 1/2 inches.  The size of the pictures were 2 1/2 inches in diameter and the weight of the camera was 25 ounces.  “Amateurs can finish their own pictures, or the exposed film can be sent to the factory, by mail, to be developed and pictures finished.  Price for 100 finished pictures including a spool for 100 films for reloading could be had for $10.00.” 

In 1900 George Eastman released the Brownie camera for $1.00 aimed at the children’s market.  Kodak wanted children to grow up using their cameras from cradle to grave.  They would have a captive market of American-raised Kodak junkies.  The Brownie was an immediate success and George Eastman became the sixth wealthiest man in the nation.

In the last few years of his life Eastman suffered with chronic pain and reduced functionality due to a spine illness. On March 14, 1932 Eastman shot himself in the heart, leaving a note which read, “To my friends: my work is done. Why wait?”

Below is a three-part American Experience documentary prepared by PBS dubbed, “George Eastman:  The Wizard of Photography.” It follows the life and career of George Eastman and his revolutionary impact on photography.  This documentary portrays the life of a man who allowed us to remember the fun moments in life and capture them for generations to come.  Good Day.

Read Full Post »

Fruit Camera


Credit: hovercraftdoggy.com

Read Full Post »


Snapshot of the sun slowly rising in the sky. The picture was taken this morning about 6:30 a.m. from my back porch with a P&S Canon PowerShot A720 IS. There’s still juice inside this baby. Photo by ©Omar Upegui R.

Read Full Post »


Snapshot of a Canon EOS Rebel T21i DSLR camera also known as EOS 550D. The camera is equipped with a EF-S 18-55 IS kit lens. Photo by ©Omar Upegui R.

After acquiring a DSLR camera I’ve been dedicating a considerable amount of time reading the Instruction Manual in an effort to understand how the camera works and take better pictures.  My previous camera, a Canon PowerShot A720 IS has performed remarkable well, but it lacks the quality of a DSLR camera.

The greatest advantage of SLR cameras is the ability to change lenses.  Different lenses are used to take different subjects in different situations for diverse worlds of photography in your hands—wide angle, telephoto lens or macro lens.  Another advantage of my new camera is the size of the image sensor.

An image sensor is the device that converts the light from your lens into an electrical signal that’s interpreted and displayed as an image.

The bigger the sensor, the more light can be captured, which means you end up with more detailed images.  Smaller sensor have less surface area, so they don’t pick up fine details or perform as well in low light.

Lately I’ve been experimenting with the different picture styles of my new camera.  These are the different options of the device:

  • Monochrome:  The black-and-white image looks impressive with light and shadows.  Plan to use it more in the future.
  • Faithful:  The cloth, hairs, and other features look just the way you see it in person.  At the end of this blog post is a picture of a baby using this picture style.
  • Neutral:  The colors and sharpness are subdued, decreasing their intensity.
  • Landscape:  The reds, greens, and yellow become more saturated.  Blue skies and green trees are captured in deep, vivid colors.  This an option that I will certainly explore further.
  • Portrait:  The skin tones are lighter and softer.  Perfect to take pictures of women and children.
  • Standard:  The image looks sharp and vivid overall.  This is the factory standard setting of the camera.

Below is a picture of a baby using the option of the faithful picture style.  Notice the natural color of the skin, exactly like the baby in real life.  I couldn’t obtain this tone of skin color with my Birthday camera.

Snapshot of Paola, the youngest of the three Twisters, learning how to crawl. She is seven months old. Notice the soft color tone of her skin, just like in real life. Photo by ©Omar Upegui R.

Read Full Post »


Snapshot of a DSLR EOS Rebel T2i (550D) with an EF-S 18-55mm f/3.5-5.6 kit lens. The S in EF-S stands for "Short back focus". Photo by ©Omar Upegui R.

If you have been following my blog, you already know that I recently purchased a DSLR camera in an effort to upgrade the quality of the pictures posted on Lingua Franca.  For over three years I have used a compact P&S Canon PowerShot A720 IS with decent results.  But I thought that after three years, it was necessary to climb up a rung in the ladder of good photography.  After reading hundreds of reviews on DSLR cameras on the Internet, I finally decided the Canon EOS Rebel T2i was my cup of tea.

The kit lens that came with the camera is not the best lens you can buy, buy it is fine for somebody like me who is just entering into DSLR territory.  It has a wide aperture (f/1.8) which allows you to take pictures in low light without flash and it’s also great for portraits if you want that blurry background (or bokeh) look.  It also has an image stabilizer which is great if you have the tendency to move your camera while taking a picture.  This movement will result in blurry pictures.  The IS features will enable you to compensate the camera movement and produce crisp sharp images.  Generally speaking, this kit lens is cheap (about $100), plastic mount and a low end consumer lens.  It’s small, it’s light, it’s cheap and a good performer.  For $100 you can’t really go wrong with this consumer lens.

For several week I’ve been reading the Instruction Manual and watching instructional videos of the Canon Rebel T2i in YouTube.  At this moment, I would say, I’ve learned the basic operation of the camera and am ready to start acquiring experience actually using the device.  I tested it a couple of days ago and compared the shots with my Birthday Camera and you could easily see the difference in quality.  The only problem is that it’s a bulky camera and heavier than the P&S camera; but of course I knew that when I made the decision to purchase it.  There’s no such thing as a free lunch.  You always have to sacrifice something in most situations in life.

The learning curve was not so bad.  I was initially intimidated by the size of the camera and the numbers of buttons on it.  But after a while, I noticed that many of its features were identical to the Canon PowerShot A720 IS.  The Instruction Manual is excellent and reveals interesting features.  For example, the camera has a small scroll wheel known as the “Dioptic adjustment knob”  to adjust the focus of the viewfinder to your own specific vision. All you have to do is turn the knob left or right until the nine AF points in the viewfinder look sharp.  I wear graduation lens, so this feature is very convenient for me.

I’m planning a shooting excursion to Summit Gardens in the former Canal Zone sometime next week, probably on a Sunday.  It will be my first full experience with the new camera.  I’ll initially start shooting in Full Automatic Mode and later to Program Mode and Creative Auto Mode.  This means the camera will automatically take care of adjusting the shutter speed, aperture and ISO sensitivity.  As I learn the ropes, I’ll start dipping my toes into shutter speed and aperture adjustments.  I’m not in a hurry to learn.  Patience is a good word to have under the pillow.  Good Day.

Read Full Post »


“It’s not what you look at that matters, it’s what you see.”  — Henry David

Sunday, March 4, 2012 was a special day for me.  It was the day I escalated one rung up the ladder of my photography adventure and shot my first picture with my new DSLR camera.  As you probably know, I’ve been taking pictures for this blog for over three years with a Point-and-Shot compact camera; a Canon PowerShot A720 IS.  I can’t complain; the camera has been a wonderful device to capture my beloved city.  However, it’s time to move on to greener pastures.  The new DSLR camera is a Canon EOS Rebel T2i.

I selected a picturesque bus stop for my first experience with my new device.  It was a bus stop at El Dorado which had a huge photograph embedded on the glass wall of the structure.  The photograph depicted a typical countryside house built with mud and dry grass by humble farmers.

The system used by these country farmers to build their homes was very efficient and cheap.  Approximately twelve to twenty neighbors would get together to build a house for one of their peers.  While the farmers were busy mixing mud with dry grass, their wives would cook the food out in the open fields with pots sitting on top of large rocks.  The fuel was obviously dry wood.

Seco Herrerano or any other other strong spirits were distributed to the working men to make them work faster and harder.  At the end of the day a new house was built, the women would be tired of cooking and serving drinks, and the workers would lay dead drunk next to their new creation.  This event was called “Junta de Embarre”.

It was a happy social event which is rapidly fading away into the sunset. Everybody was happy.  Those were the days of yesterday, now the farmers buy their homes from a real estate enterprise and the houses are made of cement and bricks.

Below are two snapshots taken with both cameras.  I was trying to compare their quality and also to find out if it was a good bargain to cough out $785 for a DSLR camera.  Since I’m still learning the ropes, I decided to use the full automatic feature of the camera.  As I dig deeper into the manuals, I’ll take more chances.  No more talking; here we go.

Snapshot of El Dorado bus stop on a slow Sunday morning about 7:00 a.m. If you look closely, you will find a homeless man sleeping on the aluminum seats. This picture was taken with the Canon EOS Rebel T2i camera. Photo by ©Omar Upegui R.

This shot was taken with my Canon PowerShot A720 IS a few seconds after I took my first picture of the same scene. The colors are more vivid in this picture. Photo by ©Omar Upegui R.

Snapshot of a beautiful blue door of a typical countryside house built with mud, dry grass and red tiles for the roof. This picture was taken with a Canon EOS Rebel T2i camera. In my opinion, the blue door is gorgeous. Photo by ©Omar Upegui R.

Snapshot of the same countryside house with the stunning blue door taken with a Canon PowerShot A720 IS compact camera. The blueness of the wood door is absolutely stunning, in search of a better word. I love this picture. Photo by ©Omar Upegui R.

There you have it guys.  Two photographs taken with two different cameras of the same spot.  My first experiment with a DSRL camera.  After looking at them for a long while, I still think there’s a lot of juice inside my old and loyal P&S Birthday Camera.  Good Day.

Read Full Post »


Snapshot of a self portrait using our living room mirror as a reflecting source. I'm using my ole Canon PowerShot A720 IS point-and-shoot compact camera. Photo ©Omar Upegui R.

Read Full Post »


Snapshot of myself using our living room's mirror as a reflection resource. The camera is a Canon PowerShot A720 IS. Photo ©Omar Upegui R.

Read Full Post »


Vivian Maier (1926-2009) - Credit: John Maloof

If you’ve been following Lingua Franca, you probably know that I’m learning the ropes of photography.  So far I’ve purchased one paperback photography book, Lansford’s Starting Photography:  The guide to creating great images written by Michael Langford & Philip Andrews.  I’ve also downloaded two PDF e-books on the subject, (e.g., Digital Photography Bible Desktop Edition by Dan Simon and The Elements of Photography:  Understanding and Creating Sophisticated Images by Angela Faris Belt.)

For almost three years, I’ve been constantly using my compact camera, trying to capture the elusive perfect picture.  But still no joy.  I understand perfection comes with perspiration and perseverance—lots of both.  So, I’m hanging in there, learning the “tricks of the trade” with my faithful old Birthday camera—Canon PowerShot A720 IS.

I consistently surf the web looking for photography-related websites in an effort to see what other professional and amateur photographers are doing.  It’s a great source of inspiration.  Yesterday I stumbled into an enlightening story about a mysterious nanny that became a one-of-a-kind street photographer while wandering through Chicago and New York City looking for subjects to photograph during her days off.  The story is so far-fetched, it’s almost difficult to believe.

Vivian Maier is considered by her peers, as one of the finest street photographers of the mid-twentieth century.  Little is known about her, except that she worked as a nanny for families on the North Shore in Chicago from the mid 1950s into the 90s.  She was kind of a loner and spoke with a strong French accent.  She also had strong opinions about movies and politics.  And on her days off, she always carried a camera.

In 2007, John Maloof, a 26-year-old real estate agent, by accident came upon an auction of several items from a repossessed storage locker, including a box filled with photographic negatives.  At that time, Maloof was working on a book about his north-west-side neighborhood.  Following a gut feeling, he bought the collection of  repossessed items for $400.00.  Little did he know what Destiny had in store for him.

When he got home, he found 30,000 negatives inside the plastic boxes.  The huge mountain of photographic negatives took his breath away.  Before him were thousands of scenes from the cities of Chicago and New York depicting the everyday life of its inhabitants.  David Dunlap, of The New York Times wrote the following description of Ms. Mair’s work:

“Ms. Maier’s streetscapes manage simultaneously to capture a redolent sense of place and the paradoxical moments that give the city its jazz, while elevating and dignifying the people in her frames—vulnerable, noble, defeated, proud, fragile, tender and often quite funny.”

Intrigued by these mysterious negatives, this most fortunate eBay entrepreneur, has been digging into the beautiful mystery of Vivian Maier.   He’s now in the process of making a name for this eccentric woman who created art on the streets of several American cities.

John Maloof’s investigations revealed that Vivian Maier was born in New York in 1926, lived in France, and returned to New York in 1951.  Five years later, she moved to Chicago, where she worked for about forty years as a nanny for families in the North Shore suburb.

On her days off, she strolled through the streets of New York City and Chicago, with her Rolleiflex twin lens reflex camera.  Apparently, she did not share his pictures with others.  Many of them, she never saw herself.  She left behind hundreds of undeveloped rolls of film.

Photographs destined for the garbage bin now lure gallery exhibitions across the nation, a forthcoming book, and a documentary film are currently in progress.  It’s amazing that this obscure nanny captured the lives of ordinary people, and without knowing, shook the world of street photography, and irrevocably changed the life of the man who brought these snapshots to the public eye.

It’s difficult to describe my emotions after reading about this woman and her passion for street photography.  I’ve seen her vast collections of pictures and wish to learn more from her.  Her pictures look so warm and humane; they’re almost alive.  This is exactly what I’ve been trying to express for many years in my blog Lingua Franca.  Both of us are amateur photographers, but with a great passion to feel the pulse of the city.  I’m still captured by her spell.  The world is still a wonderful place to live in thanks to people like Vivian Maier.  Good Day.

Source:  Vivian Maier – Her Discovered Work 

Read Full Post »


“Before I studied photography, a camera was just a camera.  When I began studying photography, a camera was no longer a camera.  Now that I understand photography, a camera is just a camera.”

Unknown

Maybe what the Unknown said is right, but I still believe that having a good camera helps a lot in taking emotional photographs.  I have a compact Canon PowerShot AS 720 IS and it’s been great during the last two years that I’ve been taking pictures all over Panama City.  However, I would like to have a more professional camera to increase the quality.  Having more powerful lens and more potent image processors will no doubt enhance the final pictures.  A Timex is a Timex, but a Rolex is a Rolex, if you know what I mean.

To prove my point, let me introduce a new photographic equipment called the Lytro camera.  This revolutionary new camera allows users to completely change the focus of a picture after the shutter clicks. And, according to AllThingsD, this next-generation camera will be available before the end of the year.

“The secret behind the Lytro camera is a new type of sensor that gathers much more information about the light coming into the camera than the sensors found on all other types of digital cameras. Rather than record a finite amount of information about the light in a photograph, as is the case with other camera sensors, the Lytro sensor records the entire ‘light field,’ which is made up of ‘all the light rays in a scene,’ according to the Lytro website. This includes the color, intensity and direction of the rays of light. Other cameras simply record all the light as a single amount of light.”

“With this vast amount of data, the focus of a photo can be fully adjusted to match a photographer’s desires, using a computer, in the same way one might use Photoshop to adjust hue, brightness or contrast on a regular photograph. This means never having to worry about whether auto-focus centered on the right part of a picture, and it makes capturing fast-motion much easier.”

“The Lytro sensor’s sensitivity to light also makes it possible to take photos in very low-light conditions without the need of a flash. It also makes it possible to take 3D-like photographs with only a single lens, and without the need for glasses to see the immersive effects.”

Take a look at the stunning photographs taken with a Lytro camera and play with the focus of the pictures using you computer’s mouse.  You’ll be amazed at the results.  To bring the pictures up, please click Lytro Gallery link.

I’ll be monitoring the development of this new camera.  If the price is right, and if it’s available in Panama, I could cough out the cash to get it.  Good Day.

Source:  Lytro:  The camera that could change photography forever – Digital Trends (By Andrew Couts)

Read Full Post »

Older Posts »

Follow

Get every new post delivered to your Inbox.

Join 290 other followers